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Element: Dynamic Neodymium magnet structure
Frequency Response: 50 Hz to 18 kHz
Polar Pattern Cardioid
Impedance: Low-Z balanced (600 Ohms)
Open Circuit Voltage 2.2 mV/Pascal @ 1.0kHz
Microphone Connector: 3-pin, XLR-type
Polarity: Pin 2 positive, referenced to pin 3 w/positive pressure on diaphragm
Finish Durable polyurethane paint
Materials Die cast zinc housing
Length 5.8 in. (148 mm)
Diameter .92 in. (23 mm)
Shank .46 in. (12 mm)
Weight: Net 12 oz. (340 grams)
Accessories included Stand adaptor (black) Designed to yield outstanding performance in applications requiring the miking of acoustic & electric instruments, as well as vocal performances. Excellent for stage or studio, the rugged Co4's versatility will make it a "must have" in any microphone mix. Usage Optimal Placement Electric Guitar Place microphone approximately 1-2" from & @ & Bass a 90ø degree angle to the speaker cone. Guitar Amplifier To reduce boominess, move the microphone off axis to the cone from 90ø to 45ø, or move mic from center of cone to either edge. Tom-Toms On double headed Toms place mic over the top of drum 1-3" & @ a 45ø angle to the drum surface & 1-2" in from the drum edge. On single headed Toms use above method or place mic inside Tom from underneath @ a 90ø angle from the center of head, 3-5", away. Snare Drum Place mic 1-3" above the heads, 1-2" in from the rim. Aim each mic @ the top heads angled down about 45ø. If the drum rings, tape deadening material to the head or use damping rings. For more "snare" sound place a 2nd mic underneath aimed up @ the bottom of head. Cymbals Place microphone one to two feet above the top of cymbals. High-Hat Place 5 inches above outside edge @ a 45ø down angle. Brass 6-24" away, & on axis w/the bell of the instrument. Acoustic Guitar Place mic 6-12" from where finger board joins the body.